Imaginative, impetuous and wild, Diana (Evan Rachel Wood) can’t wait for her adult life to begin. Whiling away the final days of high school in the lush springtime, Diana tests her limits with sex and drugs as her more conservative friend Maureen (Eva Amurri) watches with concern. But Diana’s aura of invincibility is shattered when a senseless act of violence erupts at school, forever changing the lives of the two best friends. Fifteen years later, a grown Diana (Uma Thurman) is still trying to come to terms with the traumatic events of that fateful day. On the surface, the adult Diana has made a picture perfect life for herself. She’s still living in the sleepy Connecticut suburb she grew up in with her husband Paul, a professor at the local college. Her beautiful young daughter, Emma, is smart and creative, and possesses a fiercely independent streak reminiscent of her mother. But all is not well—as the anniversary of her adolescent trauma approaches, the darkness that Diana has tried to escape closes in. Meanwhile, her husband has become increasingly absent, her daughter has taken to hiding from teachers, and worst of all, Diana’s own grip on reality is starting to falter. Moving seamlessly through both stages of Diana’s evolution, THE LIFE BEFORE HER EYES delves deep into the crossroads that we all face—where a simple decision can change the course of everything to come, and where a lifetime can be encapsulated in a single moment. With THE LIFE BEFORE HER EYES, Vadim Perelman, director of the acclaimed HOUSE OF SAND AND FOG, has established himself as one of America’s greatest young directors of serious, probing drama.
Inspired by actual events, director Chen Shi-Zheng’s socially conscious psychological drama follows the journey of an ambitious Chinese scientist working towards his Ph.D. in America, only to be marginalized to the extent that he ultimately loses his way. All Liu Xing (Liu Ye) ever wanted was to study the origins of the universe at a Western university. Upon arriving at the school, Liu immediately rents a modest apartment with a few other Chinese students and begins flirting with the pretty American who works at the local coffee shop. Personally welcomed into Department Head Jacob Reiser’s (Aidan Quinn) select cosmetology group, Liu remains dedicated to his studies and optimistic about the future. Things continue to look up as Liu becomes close with wealthy university patron Johanna Silver (Meryl Streep) after the two become acquainted at an orientation for foreigners sponsored by a local church.
Eventually, Liu becomes Reiser’s protégé, and makes a sizable impression at a prestigious conference attended by the pair. But attitudes start to shift when Liu’s studies in dark matter come into direct conflict with his mentor’s prominent theories and well-established studies. His excitement about a potential breakthrough causes him to ignore repeated warnings that he must pay his dues, and Liu’s findings are eventually eclipsed by that of more studious fellow student Laurence. Determined to have his studies published, Liu goes behind Reiser’s back, but he ultimately becomes the target of ire rather than accolades, with Johanna’s naïve encouragement prompting him along a dangerous collision course. While Liu remains enamored with the concept of the American dream and optimistic about American science being a free market of ideas, he begins to grow dejected after his dissertation is rejected, the girl at the coffee shop blows him off, and his roommates all find lucrative jobs. Essentially left behind at the university, Liu rejects Johanna’s offer for help and vows not to return home to disappointed parents. Now, as he coasts on the fumes of his unrealized dreams, the dishonored student prepares to lash out with one final act of devastating annihilation.
Frank Allen (Ryan Reynolds), celebrated author of the bestseller The Five Minute Efficiency Trainer, has perfected the art of living via a foolproof system of timetables and index cards. In fact, his daily “to do” lists are legendary. A man known for playing it safe, Frank doesn’t believe in spontaneity. Every choice he makes is deliberate––designed to contribute to a well-ordered, predictable life. But life, as he soon learns, never adheres to a strict schedule. Frank’s wife, Susan (Emily Mortimer), and seven-year-old daughter, Jesse (Matreya Fedor), find his obsession charming in small doses, but as a steady diet it can be very frustrating. One morning, Susan attempts to loosen her husband’s scheduling stranglehold by adding ten minutes to his day. But, by setting the clock backward instead of forward, she inadvertently unleashes a series of mishaps that turn his meticulously ordered life upside down. A belligerent ferryman, a ruthless seductress, a reluctant mother-to-be and the secret amor of his best friend, Buddy (Stuart Townsend), combine to send his life into complete chaos. As his life unravels in several directions simultaneously, however, a stunning family revelation forces Frank to look fate squarely in the eye. Shaken to his core, he starts living entirely “in the moment,” allowing him to defy the conventions that have heretofore defined him. Those carefully coordinated index cards that had once kept his life in perfect order now become a deck of chance as Frank scribbles spontaneous ideas on random cards, shuffles, chooses and follows the luck of the draw…with unexpected results. Frank is about to discover that not even an efficiency expert armed with timetables and index cards can change the serendipitous nature of family and friendship, love and forgiveness. Castle Rock Entertainment and Lone Star Film Group present a Frederic Golchan Production, “Chaos Theory,” starring Ryan Reynolds, Emily Mortimer, Stuart Townsend, Sarah Chalke and Mike Erwin. Marcos Siega directed the film from a screenplay by Daniel Taplitz. “Chaos Theory” is produced by Frederic Golchan and Erica Westheimer, with Fred Westheimer serving as executive producer and Barbara Kelly as co-producer. The behind-the-scenes creative team included director of photography Ramsey Nickell, production designer Sandy Cochrane and film editor Nicholas Erasmus. The music is composed by Gilad Benamram.
Poignant, often witty and exceedingly cinematic, JELLYFISH (MEDUZOT), tells the story of three very different Tel Aviv women whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a bride who breaks her leg escaping a locked toilet stall, ruining her chance at a dream Caribbean honeymoon. And attending the event with an employer is Joy, a non Hebrew-speaking domestic worker who has guiltily left her son behind in her native Philippines. As this distaff trio separately wends their way through Israel’s most cosmopolitan city, they struggle with issues of communication, affection and destiny—but at times find uneasy refuge in its tranquil seas
Stars Mark Wahlberg as a man who takes his family on the run as people around the world begin to die off to what appears to be at first a biological attack, then a natural biological disaster, and then something else much more ominous. The teaser trailer, as it is called despite having a running time of over two minutes, is pretty good. What does “pretty good mean”? It doesn’t capture the attention nearly as much as those for The Sixth Sense, Unbreakable or Signs, as it does not manage to establish the sense of any immediate suspense or thrilling moments. The teaser trail is a tad subdued, perhaps too much for its own good, and at the same time I have to give it to the marketing department for depicting the movie as a little different from Shyalaman’s other films. After all, his credibility has turned from near Spielberg-esque appreciation to muted hesitation, and something other than his name is needed to get people into seats.
Set against the world of high stakes poker, DEAL follows the story of Tommy Vinson, an ex-gambler who quit the game of Texas Hold’em over 30 years ago after missing a family emergency and swearing to his wife, Helen, “never again”. Tommy tries to be content with his luggage business but while watching a poker tournament on television, he sees someone who reminds him of his younger self, Alex Stillman.
In Wong Kar Wai’s debut English language feature, the internationally acclaimed director takes his audience on a dramatic journey across the distance between heartbreak and a new beginning. After a rough break-up, Elizabeth (played by songstress Norah Jones in her screen debut) sets out on a journey across America, leaving behind a life of memories, a dream and a soulful new friend; a café owner (Jude Law)—all while in search of something to mend her broken heart. Waitressing her way through the country, Elizabeth befriends others whose yearnings are greater than hers, including a troubled cop (David Strathairn) and his estranged wife (Rachel Weisz) and a down-on-her luck gambler (Natalie Portman) with a score to settle. Through these individuals, Elizabeth witnesses the true depths of loneliness and emptiness, and begins to understand that her own journey is part of a greater exploration within herself.
Professor Lawrence Wetherhold (Dennis Quaid) might be imperiously brilliant, monumentally self-possessed and an intellectual giant - but when it comes to solving the conundrums of love and family, he’s as downright flummoxed as the next guy. His teenaged daughter (Ellen Page) is an acid-tongued overachiever who follows all too closely in dad’s misery-loving footsteps, and his adopted, preposterously ne’er-do-well brother (Thomas Haden Church) has perfected the art of freeloading. A widower who can’t seem to find passion in anything anymore, not even the Victorian Literature in which he’s an expert, it seems Lawrence is sleepwalking through a very stunted middle age. When his brother shows up unexpectedly for an extended stay at just about the same time as he accidentally encounters his former student Janet (Sarah Jessica Parker), the circumstances cause him to stir from his deep, deep freeze, with often comical, sometimes heartbreaking, consequences for himself and everyone around him.
